‘Despite their painterly appearances, each Colour Study starts with a camera and a series of photographs of papers and colour acetates, layered three to five deep on a stack of glass shelves. The images are layered and blended in the computer to create abstractions that reference contemporary art, including pointillism, colour fields, transparencies, collage, and painterly techniques. The hallmark of this experimental process is unpredictability and discovery, leading to startling and unexpected images that blur the boundary of photography and contemporary art, and trick the eye and test our assumptions about photography.’