Whatever you decide to wear—that’s all taste and you do you.
That won’t stop folks from throwing their two cents about what it is that you call clothing. And sometimes, they might just be right. No, it’s not you. It’s the clothes. Sometimes they are just impossible to justify and defend. I mean, look at them. You can’t even tell them haute couture. Not even sure what to call them.
You decide.
Image credits: Jennifer Culver-Irwin
Image credits: Lauren Treloar
Image credits: Sierra Rachelle Furtwangler
The bare bones definition of clothes is essentially a thing to cover your shame with with the added bonus of giving your body the needed protection against the elements, i.e. intense heat, cold and whatever that decides to fall from the sky.
But clothes have evolved since man’s first decision to use a maple leaf. In fact, it has moved beyond its functionality and has become a lot of many things.
Image credits: Pamela Marie
Image credits: Debra Fulbright
Image credits: Patrícia Chies
Clothes have become a way of expressing oneself. Others look at you and they immediately can get a glimpse into who you really are. Heck, you look at you, and immediately understand what your image is saying about you.
It is clothing that imposes an impression upon others and it influences how you feel about you and how others will behave towards you. Dressing business casual and dumpster fire attire is definitely a testament to it in a job interview.
Image credits: Amaya Ferrer
Image credits: Roger Thalien
Image credits: Jordan Green
This also translates to an evolutionary psychology concept of mate selection. You don’t just dress to impress a boss—you dress to impress your potential partner.
Just like the peacock unravels its vibrant fan of a tail, similar behaviors can be seen in a number of species, including humans. But instead of their nonexistent tales, they use clothes to increase their chances of becoming a specimen in discussion on the Discovery Channel.
The same works the other way, mind you—you can use clothes to blend in.
Image credits: Shelby Bradshaw
Image credits: Michelle Nudson
Image credits: Narys anonimas
There’s also an interesting phenomenon whereby in many societies, certain clothes depict wealth and taste. The Hemline Index suggests this by stating that skirt lengths rise and fall depending on stock prices and overall economic status, which is reflected in how women choose to dress. Recessions means longer dresses and skirts, while economic prosperity means shorter hemlines.
Image credits: Lily Mottershead
Image credits: Breehan Saunders
Image credits: Jules Shaw
Ultimately, you are what you wear. Researchers Mary Ellen Roach-Higgins and Joanne B. Eicher have suggested this in their scholarly work on dress and identity, saying that the clothes send nonverbal cues to other people—cues like how powerful on a social scale you are, how much influence you have over people, how smart you are or even how much you earn.
Image credits: Clare McMath
Image credits: Jessica Marie
Image credits: Whitney Vasquez
Clothes are so connotative that you can’t but think about specific people based on the things that they have on them.
Just think about it: whenever you see round, black-rimmed glasses, you will likely think of Harry Potter; whenever you see glass shoes, you can’t but immediately associate them with Cinderella; and whenever you see a red cap with an M on it, bam, that’s Mario.
Image credits: Narys anonimas
Image credits: Narys anonimas
Image credits: Nathalie Nootje
Everything from the fabric to the make to even the colors signify something about you.
For instance, the color black is associated with power, mystery, and professionalism, whereas red is passion, intensity and aggression, yellow is happiness, optimism and youth, blue is loyalty, stability, and tranquility, and green is healing, success and hope. There’s more, but you get the point.
Image credits: Brandy Leigh
Image credits: Persephone Eris Nyx
Image credits: Charlotte Cleret
There’s of course, more to it than color, as previously mentioned, and Science of People provides a nifty guide on how to achieve a certain look.
According to them, for a formal look, go with dark colors and minimal accessories. For casual, go with bright colors, loose fits, and a single, yet outstanding accessory. If it’s edgy you want, mix and match colors, fabrics and shapes that are bold.
Image credits: Narys anonimas
Image credits: Narys anonimas
Image credits: Karolina Kolaříková
For professionals, it’s all about that well-fitted, modest lifestyle. On the contrary, if you want to be more attractive, they’d be more revealing than that of professionals, but they should also be comfortable and should highlight your best features
Lastly, strong, bold and representative clothing might have the added bonus of showing off your power as an individual, but if it’s unique you want, prints, weird shapes and unorthodox accessories from boutiques might do the trick.
Image credits: Em Linder
Image credits: Erin Leigh
Image credits: Avalon Crowley-Holyoak
So, what are your thoughts on any of this? What style do you prefer and would you wear any of the dresses in this listicle? Share your takes and stories in the comment section below!
And if you can’t stop looking at these fashion fails, why not give another one of our articles a go.
Image credits: Anna Tribe
Image credits: Harmony Douglas
Image credits: Becka Lynn O'Neil
Image credits: Narys anonimas
Image credits: Rebecca Floyd
Image credits: Hansu Bansu
Image credits: Ella Darling
Image credits: Abigail Lynn
Image credits: Iris Moo
Image credits: Midas Moore
Image credits: Luci Dudley
Image credits: Katie Faust
Image credits: Kristine Tæbring
Image credits: Kate Groves
Image credits: Karolina Kolaříková
Image credits: Haylee Meskow
Image credits: Sara Jones
Image credits: Sara Jones
Image credits: Narys anonimas
Image credits: Kresten Carroll
Image credits: Lyn Beavers
Image credits: Rebecca Eve
Image credits: Tiana Barone
Image credits: Dylan Love Arthur
Image credits: Kimberlee Dawn Long
Image credits: Barby WK
Image credits: Hana Bechara
Image credits: Myar Mohamed
Image credits: Sara Jones